[Seven by Nine Squares homepage ] [tENTATIVELY] [Neoist Path]

USIC minus the square root of -1

= A Plethora of No Longer Neglected
Audio/Conceptual Obstacle Courses


- tENTATIVELY, a cONVENIENCE

Contents

  1. D COMPOSING
  2. EASILY REALIZABLE SCORES
  3. GRAPHIC NOTATION
  4. GROUPS
  5. GUERRILLA
  6. INSTALLATION
  7. LISTENING
  8. MISCELLANEOUS
  9. MOVIE SOUND
  10. RADIO
  11. SOUND THINKING
  12. SPATIAL
  13. SPOKEN WORD
  14. Where to start?
  15. "DEAD MAN WITH A HORN"
  16. "Excerpt(s) From: &/or 4 Retiring _".
  17. "Sound Thinking"
  18. "Listening Score"
  19. "Baloney Sandwich"
  20. Laquerland
  21. "Nuclear Brain Physics Surgery School"
  22. "Car Tridge"
  23. "publicity stunts (my growth as an obscuro)"
  24. "Side 1 / Side 2"
  25. "USIC - 1".
  26. Widemouth Tapes
  27. "Fuer Her"
  28. "Clap Track"
  29. "PAUSE FOR (Radio Play Only)".
  30. "Sound Along With t he Bounding Ball(s)".
  31. "USIC &/OR USICALITY - 1"
  32. "88.1FM -> 88.1FM":
  33. "Compliments to Vesna"
  34. "booed usic"
  35. "Sinnit-Nut Hollow Earth Symposium"
  36. "Chinese for Celli"
  37. "Conductor Loop"
  38. Usical Material
  39. "Mad Scientist Didactions".
  40. "6 Fingers Crossed Country T.Ore/Tour".
  41. "Sound Thinking: Phase II: Program Notes".
  42. AUDIO/CONCEPTUAL OBSTACLE COURSE
  43. "Generic As-Beenism"
  44. "Something That Dissolved the Shadow of Something That Was Next to Something That Burned Twice".
  45. "the "Official" John Lennon's Erection as Blocking Our View Homage & Cheese Sandwich".
  46. "Tender Buttons"
  47. "Hypnopedagogy"
  48. other people.
  49. "Klauhütte Bangzeit 200(0)"
  50. "tENTATIVELY, a cONVENIENCE presents: A Triple "S" Ranch Variety Show straight from the bowels of the Turquoise, Beige, & Flesh Room at the Funny Farm"

This record presents a few samples of some of my more "pro-concept/anti-esthetic" audio projects from '76 to '94 + 2 solicited contributions from record-recycler extraordinaire Colin Hinz. This essay gives the most complete overview of most or all of my formalized explorations with sound attempted yet (covering '74 to '94) in order to put the accompanying record object into a clearer conceptual framework. It is not, however, as complete as it could be. Such a document would be a book & I doubt that I'll ever find anyone to fund such a project of such obscure/oblique value.

The following list categorizes some of my audio activities:

D COMPOSING

EASILY REALIZABLE SCORES

GRAPHIC NOTATION

GROUPS

GUERRILLA

INSTALLATION

LISTENING

MISCELLANEOUS

MOVIE SOUND

RADIO

SOUND THINKING

SPATIAL

SPOKEN WORD