|> comm. | quote <|
 
> Just take the samples - what a difference it makes who's producing them! If they are bought or produced by yourself. How do they actually look, how do you construct them?

What actually is that 'music'?
Is it really just a machine-language?
Or isn't it - after all - a sum of human of human decisions?[!]

It is important to remain able to decide in the first place.

Eno for instance says, 'I don't want to decide at all - I want to remain free of that.
And I want to add: try to get along with the minimum that's needed.

Both ways to work are fascinating.
To completely eliminate one for the other would be stupid. <

Holger Czukay [CAN] | 8/98